Maria Luisa Park information -Sevilla place of interest - Spain

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SEVILLA Information: PARQUE DE MARIA LUISA and surrounding area




In 1893, the infanta or princess Maria Luisa Fernanda de Orleans, sister of Isabelia II, presented Seville with the gift of the gardens of the San Telmo palace. Twenty years later, Jean Forestier organised them into a park, combining tree-lined areas and glorietas or circuses; interesting examples are Becquer, for its romanticism, Hermanos Alvarez Quintero, and Infanta Maria Luisa. In 1928, the park hosted the Iberian-American Exposition, and a whole range of historicist buildings were to house the pavilions of the countries participating. Some of these have since become museums: the Mudejar pavilion is now home to the Museum of Arts and Popular Customs, and the plateresque pavilion houses the Provincial Archaeology Museum. Both pavilions are by Anibal Gonzalez.

The most representative work by this architect is the Plaza de España, built for the same occasion and forming part of the regionalist trend, an architectural movement inspired by traditional old houses from each region. Anibal Gonzalez used two main materials, face brick and Seville tiling, decorated with Baroque themes. The plaza, adorned with motifs from all the provinces in Spain, is a circular area measuring 200 metres in diameter which, with its towers, moat and bridges, has become one of the emblems of Seville. The Colegio de San Telmo was founded for the orphaned children of sailors.

The dukes of Montpensier had it fitted out in the nineteenth century, and it was here where the idyll between Queen Mercedes and Alfonso XII first began. It later be came an ecclesiastical university and a diocesan seminary, and is now the presidential building of the regional government, the Junta de Andalucia. The best known work by Leonardo de Figueroa, it is a rectangular civic building with a tower at each corner.

The front displays a great sense of movement, with gaps that enter into the wall and then come out again to project a semicircular balcony. It maintains the classical orders, though the decoration resorts to numerous allegorical sculptures of the sciences related to seafaring, and atlases to support the balcony and friezes, replete with mythological beings. It is crowned by the statue of St Telmo, patron saint of mariners. It was completed in 1722. The Tobacco Factory, building for which began to be built in 1728, stands out for the harmony found in its construction, the layout of the main courtyards, the sumptuousness of the portal, the attention to detail and the richness of the decoration. Built using well hewn stone, it is balanced in its size, measuring 185 metres by 147 metres. The interior is completely functional. It is significant that a factory can become a work of art. The adaptation to a university, in 1955, changed the initial structure, which included 24 courtyards, 21 fountains, 10 wells and 87 stables for the horses used to grind the tobacco.

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