THE ALHAMBRA - Granada:
FOUNTAIN OF LIONS |
PLAN OF THE BASON OF THE FOUNTAIN OF LIONS.
THE form of this noble reservoir is a dodecagon: the inscription around
it is executed in elegant characters, and is engraved at length in
Plates LXXXIII. and LXXXIV. irifra. It is also given in modern Arabic
characters, accompanied with a literal translation by Professor Shakespear,
in the " History of the Mahometan Empire in Spain".
Many of the characters are much defaced by the injuries of time.
SIDE ELEVATION OF THE LIONS COURT AND FOUNTAIN.
THIS plate exhibits a correct view of the proportions of the Lions'
Court, together with a section of the Fountain itself. The clumsy
shape of the lions presents a striking contrast to the general harmony
that pervades the fountain. The mosaic ornaments in this plate are
delineated at large, in Plates L. and LI. infra. ENTABLATURE
IN THE COURT OF THE LIONS.
A CAREFUL examination of this engraving will convey a more precise
idea than any description can possibly give, of the exquisite taste
and skill displayed in the ornaments; which are scattered in such
rich profusion throughout the superb court and fountain already delineated.
It will, therefore, suffice to observe, that these ornaments are here
given in their fun size; and that the height, from the bottom of the
architrave (with the inscription) to the bottom of the rafters, is
exactly two feet nine inches and a half, of English measurement.
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CarMalaga.Com Tip: The Alhambra
bath concert room |
Next to the baths was a lofty saloon, in which the royal family listened
to the performances of the musicians. These were stationed in the
elevated tribune in the centre of our engraving; while the court sat
below on costly carpets. The columns that support this noble saloon,
are of white marble: the mosaics, which are here in the greatest abundance,
are uncommonly beautiful, particularly those between the columns,
which are black, green, yellow, and white, set in a green border.
The roof is covered with tiles, and the woodwork beneath is richly
ornamented, especially the three lattices or windows, and the different
recesses, whose complex ornaments exceed every thing of the kind that
has been exculpted in modern times. The Cufic inscriptions, which
are so numerous in this part of the palace, are only repetitions of
those described in the preceding plate. |
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