THIS magnificent apartment, by the Arabs termed the GOLDEN SALOON,
from the profusion of gold ornaments which it contained, was appropriated
to the reception of ambassadors: hence they further called it the
Hall of Audience, and from the same circumstance the Spaniards have
given it the appellation of the Salade Los Emhaxadores, or Hall of
Ambassadors. It is situated in the lofty tower of Comares or Comaresch
is thirty-six
feet square, and sixty feet four inches high from the floor to the
highest part of the cieling. The walls are, on three sides, fifteen
feet thick, and on the fourth side nine; the lower range of windows
is thirteen feet in height.
The grand entrance into this noble hall is through an arched door-way,
admirably finished, and embellished with flowers and arabesques
in stucco: they were blue and gold, but the gilding is now almost
entirely effaced. From this entrance our view was taken, as affording
the best view of this " Proud Saloon," as the Arabian
writers term it, and which is admirably adapted to the display of
Moorish grandeur. Over the principal door is an Arabic inscription,
which appears to have been executed in a style corresponding to
the splendour of the rest of the edifice: it is taken, with the
exception of the concluding sentence, from the Koran, Sura, (or
chapter) 91, Ayat (or verse) 1-7. "By the sun and its "
rising brightness; by the moon, when she followeth him; " by
the day, when he sheweth his splendour; by the night, " when
it covereth him with darkness; by the heaven, and " him who
created it; by the earth, and him who spread " it forth; by
the soul, and him who completely formed " it; there is no other
God but God. "', On each side of this door is a small niche,
in which the Moors left their babouches or slippers, before they
entered the royal presence: these niches an: likewise decorated
with their respective inscriptions.
On entering the Hall of the Ambassadors, the eye is lost in astonishment,
at the variety of ornament, the elegance of execution, and exquisite
taste, which characterise every part of it: and, if thus superb
even in its present deserted state, how resplendent must this "
Golden Saloon" have been, when the sovereign, arrayed in all
the pomp of Oriental magnificence, assembled his brilliant court
to give audience to the representatives of the neighbouring monarchs!
by comparing the following description with our plate, the reader
may be enabled to form a pretty correct idea of this costly apartment.
The whole floor is inlaid with mosaic: the same kind of ornament,
but of different patterns, covers every part of the walls, interspersed
with flowers and Arabic inscriptions, executed in porcelain with
exquisite skill, so as to unite and harmonize exactly with the stucco
ornaments which every where abound. On the cornices above the mosaics,
and beneath the usual inscription, " there is no God but God,"
the piety or superstition of the modern Spaniards has led them to
introduce the crucifix: it is however so dexterously inserted as
not materially to injure the general effect.
The height and boldness of its arched ceiling are particularly worthy
of observation: and the almost innumerable chiligon mosaics, knot
and other ornaments, must be seen, to form a tolerable idea of their
splendour. Gold, silver, azure, purple, and other brilliant colours,
all seem to strive which shall appear most conspicuous on the stuccoed
facets. Inscriptions occur every where, so that the Alhamra in general,
and this apartment in particular, has not improperly been called
a collection of fugitive pieces. Such of these inscriptions and
mosaics, as have best survived the ravages of time and neglect,
are engraved in some of the following engravings, and by comparing
them with the perspective view given in the plate just described,
the lover of antiquities may be enabled to form some faint idea
of the departed glories and splendours of the Hall of the Ambassadors. |