Figures 1,3,4,5, &c. in this plate, are fragments of capitals
and columns, &c. from the Pateo de Leones, or Lions' Fountain,
which is delineated in Plates XXXIII to XXXVII.
Fig. 2. Is the splendid cornice and frieze of the Loggia of the
Generaliffe, which appears in Plate XCII. The effect of this is
very rich. The line of Arabic characters is black, on a white ground;
the dentellated line beneath that, is black and white; the space
below is red, and the line of cords is black and white; the foliage
is grey, relieved with white, on a red ground, and the middle line
is white. Below that is a line of black cord, on a white ground,
which is followed by a line of red ornaments on a white ground.
Rich stucco-work succeeds to this, and below it are the characters
of the first line repeated, consisting of the favourite motto-"
There is no Conqueror but God." The effect of the whole is
very rich.
Fig. 6. Is a canopy over a door in the Lions' Court.
Fig. 7. Is a beautiful mosaic column, that supports the circular
roof in the interior of the Zancarron, or Sanctuary of the Koran;
the gate of which is delineated in Plate VI. supra. The colours
are black, white, and a faint yellow or gold. The effect is grand.
Fig. 8. The words TATO MOTA (Tanto Monta), represented in this figure,
are very frequently repeated on stucco, in relief, in the Pateo
de Leones, or Lions' Fountain, which is supposed to have been repaired
in the time of Ferdinand and Isabella. These words may be interpreted
equality; for the latter anxiously maintained, that her power in
the exercise of the royal authority was equal to that of Ferdinand.
Perhaps it is not saying too much of that princess, that she deserved
it; and that her wisdom and courage confirmed the right which she
derived from her birth. |